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Journal of The Korean Society of Laryngology, Phoniatrics and Logopedics 2011;22(2): 106-110. |
| 서양식 성악발성법의 의학적 이해 |
| 최홍식1, 홍현준1, 염용혁2, 남도현2 |
1연세대학교 의과대학 강남세브란스병원 이비인후과학교실
2연세대학교 의과대학 음성언어의학연구소 |
| Understanding of the Western Classical Singing in Medical Point of View |
| Hong-Shik Choi1, Hyun-Jun Hong1, Yong-Hyuk Yum2, Do-Hyun Nam2 |
1Department of Otorhinolaryngology, Gangnam Severance Hospital, Yonsei University College of Medicine
2Institute of Logopedics & Phoniatrics, Yonsei University College of Medicine |
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| ABSTRACT |
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Western classical singing voices are different from those of pop song singer's singing voices as well as traditional Korean singing such as Pansori. We anlalysed the singing voices from three different categories with using free application programs available at the usual smart phones : sound level meter and Spectral View Analyzer and fiberoptic rhinolaryngoscopic evaluation. The intensity of voice produced by a classical western singer was 11 dB louder than that produced by a pop song singer. Source sound, glottic sound, as well as harmonic sound and singing resonant sound (Singer's formant) are much more prominent. When evaluated under video-rhinolaryngoscopy during singing, the resonance cavity especially oropharyngeal cavity and hypopharyngeal cavity are widely opened during singing of the western classical singer than those of the traditional Korean singer's singing. Difference of singing methods including producing the glottal sound, respiration and resonance are discussed. Possible explanation of development of 'Singer's Formant' is discussed. |
| KEY WORDS：
Singing voice;Western classical singing;Singer's formant;Resonance; |
| 중심 단어：
서양식 성악발성법;성악가음형대;공명; |
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